This
is a shot after the infamous shower scene. The scene is very effective to the
audience and adds more interest to the film. The scene uses collision cutting
because the murder is shot with a very fast sequence of shots but at the end
you get a slow, lengthy shot of the rotation away from Marion’s eye. This
connotes how the life has been taken from her and also links with the way the
blood gets washed down the plughole. The blood being drained shows us her life
being washed away.
The
use of camera angles in this shot is effective because it connotes how hopeless
Marion’s body is as she lays on the bathroom floor. You see no gore in this
shot but you feel sympathetic to Marion as you know the pain she went through
to die.

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